WARNER OLAND (1879-1938)
Warner Oland was not the first actor to portray Charlie Chan on
the silver screen. The Oriental detective was originally played
by George Kuwa in "The House Without a Key" (1925) and
Kamiyama Sojin in "The Chinese Parrot" (1927), both
silent Pathe serials, and later by E.L. Park in a Fox Pictures
talking feature, "Behind That Curtain," (1929). However,
it was Warner Oland who first breathed life into the character
whose exploits have now thrilled several generations.
Oland was born Johan Verner Olund on October
3, 1879 in rural village of Bjurholm, Sweden, which is located
about 300 miles north of Stockholm. Just after his thirteenth
birthday, on October 15, 1892, he emigrated to the United States
with his parents, Jonas Olund, a shopkeeper, and Maria Jojana
Forsberg.
Before going into film, Warner Oland enjoyed
a good measure of success on the stage. In 1906, actress Alla
Nazimova was impressed with his work and invited him to tour with
her company. At one point, Oland's success on the stage had enabled
him to amass a considerable wealth that was soon lost through
less successful productions.
It was during this early period that Warner
Oland and his wife, artist Edith Shearn, co-authored a collection
of the plays of Swedish playwright, August Strindberg. The book,
which was published in 1912, marked the first time that Strindberg's
work had been translated into English.
In 1910, Oland made his motion picture
debut, playing John Bunyan in "Pilgrim's Progress."
Returning to the stage, it was five years later that Oland resumed
his film career in Theda Bara's "Jewels of the Madonna."
Throughout the remainder of Hollywood's silent era, Warner Oland,
because of his vaguely Asian features, was often cast in Oriental
roles, although he also played an occasional Caucasian "heavy."
It was in 1931 that Charlie Chan was brought
to life by Warner Oland with the Fox Pictures release of "Charlie
Chan Carries On." He went on to make a total of 17 Chan films
over a period of seven years for Fox studios.
Oland did not need to use makeup to appear
Asian. He attributed his appearance to having a measure of Mongolian
blood in his heritage, passed to him through his Russian mother.
To prepare for the role of Charlie Chan, he would simply brush
the ends of his moustache down and his eyebrows upward. It is
said that Chinese often mistook him for one of their countrymen.
Regarding his experiences on a trip to China, Warner Oland said,
"Everywhere I went, the natives addressed me in Chinese.
I was introduced always as Mr. Chan. I was accepted as a Chinese."
Indeed, Oland took great delight in studying the Chinese language
as well as the art and philosophy of that culture.
Although Charlie Chan was portrayed onscreen
as something of a teetotaler, in reality, Oland was quite the
opposite. Indeed, it was thought by at least one director, H.
Bruce "Lucky" Humberstone, that a drink or two actually
helped Oland with his characterization. In his book, "The
Detective in Hollywood," Jon Tuska mentions how, on at least
one occasion, Oland brought his lunch to the set in a metal lunch
box. Taking out one of two thermos bottles, he would say to Keye
Luke, "For Number One son, good split pea soup..." Looking
around to see if the coast was clear, he poured a martini from
the second thermos, adding, "...For honorable father, tiger
tea." Eventually, exhaustion and his penchant for alcohol
took their toll physically and mentally. Oland's wife, artist
Edith Shearn Oland, had left him in August of 1937, a casualty
of his decline. Six months later, on January 17, 1938, during
the filming of "Charlie Chan at the Ringside," Warner
Oland walked off the set. He clearly needed to regain his life.
Reportedly suffering from a nervous breakdown,
Oland spent the month of February in a hospital. In March, the
actor was back on his feet and he signed a contract with Twentieth
Century-Fox to make three more Charlie Chan films. It was agreed
that the actor would take a break and sail to Europe, and then
begin shooting the next Charlie Chan movie, "Charlie Chan
in Honolulu," upon his return. He and Edith had even talked
of getting back together.
Unfortunately, none of this was to be,
as the actor contracted a fatal case of bronchial pneumonia while
he was in the city of Stockholm visiting the country of his birth.
Upon receiving news of his grave condition, Oland's estranged
wife quickly made plans to be with him as soon as possible. Sadly,
death took Warner Oland before this could happen. On August 6,
1938, in a hospital in the Stockholm suburb of Tyresso, Warner
Oland passed away. He was laid to rest in a cemetery near his
home in Southborouogh, Massachusetts.
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